DMNA and EPNI Co-Hosting Personal Safety Workshop at The Commons on June 20

The Downtown Minneapolis Neighborhood Association and Elliot Park Neighborhood, Inc., are collaborating to host a Personal Safety Workshop at The Commons on Tuesday, June 11, at 6 p.m.  (Rain date is Tuesday, June 18, at 6 p.m.)

Renee Allen from the Minneapolis Police Department’s First Precinct will give a 30 minute Personal Safety/Awareness presentation and then Gail Boxrud and Dante Pastrano from Krav Maga will provide hands-on Self Defense instruction.

The workshop is free, but please register via Eventbrite.

“WORK WITH YOUR QUIRK”: EXHIBIT AT THE BRIDGEWATER TO SHOWCASE LOCAL ARTISTS WITH DISABILITIES

Partnership between Minneapolis’ Bridgewater Lofts and Interact Center for the Visual and Performing Arts set for May 11-June 8, 2019

MINNEAPOLIS, Minn (April 26, 2019) The Bridgewater Lofts is known throughout the Mill District for its vibrant building-wide art exhibits.  Now, the downtown condominium community is partnering with noted St. Paul arts organization Interact on a four-week exhibit set for the building’s main floor gallery space at 215 10th Avenue South in Minneapolis.

The exhibit’s title, “Work With Your Quirk,” is a motto of Interact, which provides adults with disabilities the opportunity to grow their artistic skills in a creative and safe environment.  The exhibit will include more than forty works by eighteen Interact artists.  Several pieces by Bridgewater resident Lena Osman also will be featured.

“Work With Your Quirk” is presented under the banner of Art @ the bridgewater, a rotating exhibit program organized by a committee of Bridgewater residents.  “We are thrilled to showcase the work of these talented artists and introduce our residents and the larger community to the exceptional work being accomplished by Interact,” said Art @ the bridgewater committee members Dianne Walsh and Peter Zenner.

“Work With Your Quirk” is the latest in a series of rotating art exhibits presented under the banner of ART @ the bridgewater.  There have been nine exhibits since the program’s official launch in July 2016.

“We have received tremendous positive feedback on ART @ the bridgewater not only from our residents but from local realtors, potential home buyers and other building visitors,” noted Zenner . “It’s a wonderful amenity that has added to the day-to-day quality of life, “ he added.

Interact Center for the Visual and Performing Arts is a community of artists who choose to go through their disabilities rather than around them.  The Bridgewater exhibit is a celebration of the organization’s culture of mutual inspiration and support.

“We are excited to be partnering with Bridgewater Lofts to introduce new audiences to the exceptional work of Interact artists challenging perceptions of disabilities,” said Interact Artistic Director Jeanne Calvit.  “We commend the Bridgewater for its passionate commitment to the arts.”

 

About ART @ the bridgewater

 

ART @ the bridgewater is an ongoing program developed in 2014 by the Bridgewater Neighbors and Friends of the Arts, a resident-driven steering committee whose mission is to enhance, enliven and enrich the condominium community.  The program is curated by artist Alison Price, owner of Tres Leches Gallery in the Northrop King building.

In addition to rotating exhibits, the condominium community also has embarked on an acquisition program, The Bridgewater Collection, purchasing works for permanent display from local artists including ceramic artists Maren Kloppmann, Leila Denecke and Warren MacKenzie, painter Michael Schmidt and sculptor Peter Vanni.

About Interact Center for the Performing Arts

Founded by Artistic Director, Jeanne Calvit, in 1996, Interact Center for the Visual and Performing Arts has transformed lives through its mission to create art that challenges perceptions of disability.  Its overriding vision is to lift all voices through the stories it tells – through original devised theater, through original visual artwork, and through the collaborative stories generated when artists with disabilities connect with their peers in a wide diversity of communities and situations.

Interact Theater has won two Ivey Awards, multiple National Endowment for the Arts awards, and has been presented by the Guthrie Dowling Studio, as well as mounting performances at The Lab, Pantages and Southern Theaters, Theater Latte Da, The Cowles Center and other venues.

Interact Visual Arts Studio shows have taken place in venues throughout the area, including Soo Vac Gallery, the Rochester Museum of Contemporary Art, NE Minneapolis’ Art-A-Whirl, Highpoint Center and its own Interact Gallery. In 2018, Interact won a prestigious grant from the state of Minnesota’s Department of Human Services for “Proclaiming Our Place,” an initiative to help its artists better market their art through an expanded website featuring their work, exhibitions, workshops and networking opportunities.

For information about ART @ the bridgewater,  please contact Peter Zenner, pczenner@comcast.net or Dianne Walsh, dwalsh2009@comcast.net

For information on Interact Center for the Visual and Performing Arts, please contact Raleigh Wolpert, Interact Director of Advancement, Cell: 612-802-7479, Desk: 651-209-3575.

 

 

 

 

 

 

 

 

 

 

 

 

 

The Mill Yard at Stonebridge Lofts Art Exhibit announces a new exhibit. “Infinite Abyss In Motion”

Opening Reception Sunday, April 28,  2:00 to 5:00PM
Exhibition dates April 28 – June 30, 2019
1120 South 2nd Street, Minneapolis 55415

The Mill Yard presents a new show, “Infinite Abyss In Motion

About the Show:

Infinite Abyss in Motion is at the intersection of Art and Science. While science seeks to understand the natural world in which we live and beyond into the furthest infinity of space or the tiniest unseen particles in front of us, what it cannot with certainty tell us is what the particles look like.  This is where artists step in to imagine, and then visually create, what many of our world’s mysteries might look like.

Infinite Abyss in Motion imagines the “out there” question from the perspective of two artists – for Mary Simon-Casati, the infinite physical abyss, and for Jenna Murphy, the digital abyss in the infinite possibilities. Mary paints what she imagines particles might look like and how they might move and sweep across a canvas, visibly playing with the idea of an abyss that goes on and on into infinity. She strives to make the unseen not only visible, but also felt through its movement.
Jenna’s digital compositions feature organic shapes that appear to dance, allowing a snapshot, and one of an infinite number of iterations, of the motion within the infinite abyss; an unseen world discovered.

Artists featured at the new show:

Mary Simon-Casati

Jenna Murphy

Opening Reception Only:  Brett Freund

MORE INFORMATION:

Facebook:  https://www.facebook.com/TheMillYardatStonebridgeLofts

Twitter:  https://twitter.com/TheMillYardMpls

The Mill Yard at Stonebridge Lofts

The Mill City. Residents celebrate our area’s industrial heritage of the mighty Mississippi River and the mills. Today, what we see are the most recognizable Minneapolis landmarks. However, this is only part of the story. Rail lines were key to Minneapolis’ growth, and were particularly integral to the Mill District, bringing in wheat and timber and shipping out flour and lumber. We also honor the history of the mills, the reason for the rail yard’s existence.  The Mill Yard aims to be both a gathering place for art and artists and a conduit by which art can be shared with and disseminated into the wider community.

The Mill Yard at Stonebridge Lofts thanks Luke Kleckner, Condo Development and Sales, for his generous sponsorship.

Contact us at:

TheMillYard.Stonebridge@gmail.com

GALLERY AND ARTIST DETAILS:

Mary Simon-Casati

Mary Simon-Casati earned a BS degree in Art Ed from the U of MN and a Master of Arts in Human Development from St. Mary’s College.  After a successful career teaching art, she resumed making art as a painter/installation artist.  Simon-Casati is a recipient of an Artist Initiative Grant from the State of Minnesota.  Her current body of work is about energy, specifically particle physics.   Her mixed-media installations play with light and shadow and include 3-dimensional objects, paintings and drawings as components of an immersive experience.

“I want to explore what science tells us about how the universe works.  How is it that the universe is made of particles I can’t see?  Working within the tradition of abstract painting and using black/white colors, I create paintings that are experiments-imaginings of how particles move and what they might look like.  I visually play with the idea of infinity-making the unseen visible through my art.”

Visit:  www.mscasati.com

Email:  mscasati@comcast.net

Facebook:  marysimoncasatiart.com

Instagram:  @mscasati

Jenna Murphy

Jenna Murphy, a Minneapolis based artist, has been exploring what a contemporary drawing can be in today’s digital age. With a background in Intaglio printmaking and drawing, Jenna’s recent work aims to discover similar tactile qualities through computer code generated images. Following a degree in Studio Arts at Hamline University, Jenna went on to study Interactive Design at MCAD. It was during this time that Jenna was first introduced to p5.js, a client-side JavaScript library. P5.js helped facilitate an experimental interaction with the computer, allowing Jenna the freedom to move away from traditional subject matter and explore abstract shapes and concepts. Through iteration, the shapes multiply, shift and move across the piece. Continued experimentation reveals a balanced composition; one of an infinite number just waiting to be found in the digital abyss.

“My final compositions feature organic shapes that appear to dance across the pieces, allowing the viewer a glimpse of the motion within the infinite abyss; an unseen world, discovered.”

Web site: https://www.velvetblackpixel.com

Instagram: www.instagram.com/velvetblackpixel

Brett Freund

When working I think about my own definitions of preciousness and value. How does an object qualify itself as being important? Is what I’m after rare like a diamond, does it take time to grow like a crystal or is it a symbol that references a status or identity? Most importantly, how can I scrutinize hierarchies without undermining the possibility of growing in my craft? My work starts with prototypes designed from hand building, wheel throwing, and 3D printed clay. These components are a library of forms I pull from, making new combinations and discoveries as I piece slip cast parts together intuitively. I’m attracted to techniques associated with the industrial process and mass repetition but each piece I make is arranged so that no piece is ever exactly the same as another. This process puts a filter between the material and myself.

Web site: brettfreundportfolio.com

Instagram: bfreundly

Chameleon Shops NOW OPEN at Gaviidae Common

MINNEAPOLIS (April 2, 2019) — The mpls downtown council announced today the launch of
Chameleon Shoppes, a Chameleon Consortium pop-up retail initiative based out of Intersections:
The Downtown 2025 Plan. Chameleon Consortium’s work focuses on the experiential and economic
vitality of downtown Minneapolis. Its purpose is to create vibrant downtown experiences by
transforming empty retail spaces into equity opportunities for minority- and women-owned
businesses.

Chameleon Shoppes provides unique, interesting and dynamic shopping experiences for downtown
workers, residents and visitors, including food, snacks, sauces, candles, soaps, art, woodworking,
jewelry, apparel, pet accessories, spices and more.

Chameleon Shoppes launched April 1 on the ground and skyway levels of Gaviidae Common (651
Nicollet) and runs Wednesdays, Thursdays and Fridays from 10 am-2 pm through April 26 with
special hours and times on April 1-8:

• April 1-5: 10 am-2 pm
• April 6-7: 12 pm-4 pm
• April 8: 10 am-2 pm
• April 10-12: 10 am-2 pm
• April 17-19: 10 am-2 pm
• April 24-26: 10 am-2 pm

“The mpls downtown council is focused on and committed to enhancing our retail scene along
Nicollet from 5th to 10th streets,” said Steve Cramer, president & ceo of the mpls downtown council.
“With our growing residential population and dynamic downtown workforce, we are focused on not
only enhancing retail in our city’s core but also offering pathways for local business to gain
exposure and thrive.”

Chameleon Consortium relied on several organizations throughout this initiative: Neka Creative
(anchor brand partner), Impact Hub MSP (administrative partner) and Shop Northside, a program of
the West Broadway Business & Area Coalition, to help bring local, dynamic retail to the downtown
core.

“Chameleon Shoppes is about incubating small business and offering a chance for local makers to
gain new exposure,” said Dan Collison, director of downtown partnerships at the mpls downtown
council. “Our mission is to revitalize downtown space with incredible offerings while helping these
local businesses thrive.”

A collection of retailers taking part in April’s pop-up at Gaviidae Common include:

Adorn By Kella
Ancient Indian Spices
Angela Davis Art
Black Excellence
Body Love Products
Bowtie Billionaire
Cald2Art
Charles Caldwell
Christstyle’s Closet
Coffee and Crumbs
Cuddle Mutt
Dancing Bear
Excelsior Candle
Femelle Spirit
Hagen and Oats
Hair Love
Healthy Helpful Insight
Hip-Pop
Hippy Feet
Homegrown Company
Honey’s
House of Talents
Junita’s Jar
Just Hair USA
L.I.F.E
Lady Staxx Acessories
MEND
Nature’s Syrup
Northern Thread
PERK
Reparation Apparel
Salty Tart
Sebesta Apothecary
Siena Soap Company
Tashonda (Makeup)
The Black Threadist
The Cat Lab
ThisFem
Tiangy
Tina Dionne Jewelry
Triple Crown MPLS
Twiggy Fresh
Up Your Image
Vintage Poole Boy
We Wanna Rock
West Indies Soul Food
Wonderous Crane

Chameleon Shoppes will hold a media event on April 11 at 12 pm to highlight the retailers and
showcase the activated space.

To learn more about Chameleon Shoppes, including location, activities and more, visit
www.chameleonshoppes.com.

For more information, follow @mplsdowntown on Facebook, Twitter and Instagram using the
hashtags #mplsdowntown and #mymplsdt.

About the mpls downtown council:
Founded in 1955, and one of the most historic central business associations in the nation, the mpls
downtown council (mdc) is a membership-based entity that works to create an extraordinary
downtown. The mdc’s collaborative developments of Intersections: The Downtown 2025 Plan was
designed to help downtown businesses, community leaders and citizens build on downtown assets
and implement future goals. For more information, please visit mplsdowntown.com.

About Chameleon Consortium:
The Chameleon Consortium is a private-public group dedicated to the experiential and economic
vitality of downtown Minneapolis. Its purpose is to create vibrant downtown experiences by
transforming empty retail spaces into equity opportunities for minority- and women-owned
businesses. Chameleon Shoppes is a pop-up retail initiative on the ground and skyway levels of
Gaviidae Common in downtown Minneapolis that will feature 50 retailers beginning April 1 and
running Wednesdays, Thursdays and Fridays from 10 am-2 pm through April 26. For more
information, visit www.chameleonshoppes.com.

https://www.chameleonconsortium.com/shopping-spree/

DMNA Board Meeting on March 25 – Community Vote on Contribution to St. Stephen’s Human Services

The next DMNA Board Meeting is on Monday, March 25, at 5:45 p.m., at the Mill City Museum, in the ADM Room.

A Community Vote, open to the general membership, will take place prior to the DMNA Board of Directors meeting.  The purpose of the vote is to approve an NRP Phase II Plan Modification to move $60,000 from the Housing Opportunities Fund strategy to the Support to End Homelessness strategy.  The reason for moving the dollars is to support a contribution to St. Stephen’s Human Services for their Street Outreach Program.  Anyone who lives, works or owns property in the Downtown East or Downtown West neighborhoods is encouraged to attend, review and vote. The DMNA Board will take action reflecting the vote of the general membership immediately after the community vote. City processes requires a 21-day notification to the neighborhood regarding the Community Vote.

DMNA Land Use Committee meets on March 5

The next DMNA Land Use Committee meeting is on Tuesday, March 5, at 6 p.m., at the Mill City Museum, in the ADM Room.

AGENDA

DMNA Board Meeting on February 25, at the Mill City Museum

The next DMNA Board meeting is scheduled for Monday, February 25, at 5:45 p.m., at the Mill City Museum, in the ADM Room.

AGENDA

Community Connections Conference on February 2

The Neighborhood and Community Relations Department invites you to the 8th annual Community Connections Conference. The conference is a free event meant to build connections and foster collaboration between communities, neighborhoods and government, focusing on best practices for community engagement. The conference features interactive workshops, speakers, panel discussions, and a delicious catered lunch. The theme of this year’s conference is Together: Mobilizing for a Better Minneapolis.

The schedule for the day:

  • Registration and breakfast: 8:00 a.m.
  • Opening panel: 9:00 a.m. – 10:15 a.m.
  • Morning workshops: 10:30 a.m. – 11:45 a.m.
  • Lunch: 12:00 p.m. – 1:00 p.m.
  • Afternoon workshops: 1:15 p.m. – 2:30 p.m.
  • Closing forum with Mayor Frey and Council members: 2:45 p.m. – 4:00 p.m.

This year’s Community Connections Conference will feature:

Accessibility and Inclusion

On-site captioning and interpreters for American Sign Language, Spanish, Somali, Hmong and Oromo are available throughout the day. Request interpreter service at registration.

The Minneapolis Convention Center offers information on locations of accessible entrances, restrooms and transportation. Learn more at Minneapolis Convention Center and Accessibility.

We will provide a link to download a free Metro Transit pass for your transportation to the conference the week before the conference.

For further reasonable accommodations or alternative formats please contact the Neighborhood and Community Relations Department at 612-673-3737 or ncr@minneapolismn.gov. People who are deaf or hard of hearing can use a relay service to call 311 at 61

DMNA Board Meeting on January 28, at the Mill City Museum

The next DMNA Board meeting is on Monday, January 28, at 5:45 p.m., at the Mill City Museum in the ADM Room.

Agenda – REVISED TODAY
DMNA 11-19-2018 Board Meeting Minutes  – Updated
DMNA 12-11-2018 Board Work Session Minutes – Updated
December Financial Report – Excel
December Financial Report – PDF
FY2019 Budget
MCFM Report to the DMNA
MCFM DMNA sponsorship signage
Photo of MCFM music tent
DMNA January 2019 Outreach and Collaboration Chart
DMNA letter of support for the Canopy Hotel liquor license application
DMNA letter of support for 314 1st Avenue North
DMNA letter of support for Ryan Companies project at 700 4th Street South
City staff report for Ryan Companies project at 700 4th Street South
DMNA Land Use Committee Goals
Star Tribune article regarding Neighborhoods 2020 – 1-27-2019
Green Minneapolis – Greening Lab update regarding the Tree Watering Project

The Mill Yard presents a new show, “The Nature of Things”: January 26-March 30


Opening Reception Saturday, January 26 from 3:00-6:00 PM
Exhibition dates January 26- March 30, 2019
1120 South 2nd Street, Minneapolis 55415

The Mill Yard presents a new show, “The Nature of Things

A Veronique Wantz Gallery Pop-Up at The Mill Yard

The new exhibit showcases a collection of works that offers space to consider the times in which we live.

Our world is in constant flux. We ride the ebb and flow, sifting through layers of complexity in search of a clarity that we can anchor onto. From inward we look out, observing that what goes up, doesn’t always come down. We seek solace in our connections, to tame the currents swirling around us, and find solid ground, for a while. It’s the nature of things.

Artists featured at the new show include:

  • Jack Dale (painting)
  • Allison Johanson (painting)
  • Samuel Johnson (pottery)
  • Eleanor McGough (painting)
  • Wendy Westlake (painting)

At The Mill Yard opening reception we are working on something delicious (stay tuned!)

Wine, sparkling water and sweet drinks are complimentary.

MORE INFORMATION:

Facebook:  https://www.facebook.com/TheMillYardatStonebridgeLofts

Twitter:  https://twitter.com/TheMillYardMpls


The Mill Yard at Stonebridge Lofts

The Mill City. Residents celebrate our area’s industrial heritage of the mighty Mississippi River and the mills. Today, what we see are the most recognizable Minneapolis landmarks. However, this is only part of the story. Rail lines were key to Minneapolis’ growth, and were particularly integral to the Mill District, bringing in wheat and timber and shipping out flour and lumber. We also honor the history of the mills, the reason for the rail yard’s existence.  The Mill Yard aims to be both a gathering place for art and artists and a conduit by which art can be shared with and disseminated into the wider community.

The Mill Yard at Stonebridge Lofts thanks Luke Kleckner, Condo Development and Sales, for his generous sponsorship.

Contact us at:

TheMillYard.Stonebridge@gmail.com


GALLERY AND ARTIST DETAILS:

Jack Dale

Jack Dale was born in St. Paul, MN and has made his home here for all but 3 years. He grew up in St. Paul and attended the University of Minnesota on a hockey scholarship. He played on the 1968 U.S. Olympic Hockey team and three years as a professional before suffering a career-ending knee injury. He turned his attention to art, which he had studied in college, and has been a painter for over 40 years. He was a member of Groveland Gallery in the early eighties when he was doing mostly landscape work and is very pleased to be represented by the Veronique Wantz Gallery today. Jack has had numerous solo and group shows and his paintings have been collected all over the country. His abstract expressionistic paintings are known not for the images that are represented, but for the emotions that they evoke. It is in this sensorial space where intuition takes over, and the viewer finds a place to engage on a deeply personal and powerful level. “As a mark-maker the paint carries me on a journey of understanding: allowing me to make sense of the world around me and vocalizing feelings that can’t always be easily explained.”

Natural Echo, oil on canvas

Web site:  www.jackdalefineart.com


Allison Johanson

Allison Johanson is a contemporary painter from Saint Paul. She grew up near the north shore of Lake Superior and enjoys referencing the vastness of the lake and sky as well as the nostalgia she feels about her rural upbringing. Allison’s abstract landscapes are rooted in the beauty found in the natural world, and they speak about the mystery found in distant horizons. Her intuitive painting style yields soft and immersive works that create feelings of connectedness.  “I love to create paintings that subtly engage and communicate a quiet mood yet provide interest upon closer observation. Seeing the artist in the textures, brush strokes and mark making is what excites me most about original art.

Big Lake Swells, acrylic on canvas

Web site: https://allisonjohanson.com

Instagram: @allisonjohansonart


Samuel Johnson

Samuel Johnson was born on the Eastern prairie of the Red River Valley. He studied painting and ceramics at the University of Minnesota at Morris, serving an apprenticeship in pottery under Richard Bresnahan. He has been a guest of Denmark’s Design School in Copenhagen, worked in a studio in New York, and traveled to Japan as a guest of Koie Ryoji. In 2005, Johnson earned graduate degrees in fine art from the University of Iowa. He is currently an Associate Professor of Art at the College of Saint Benedict and Saint John’s University in Central Minnesota. Johnson’s work reflects today’s malleable socio-political climate through both the process of shaping wet clay and its transformation through fire. As raw unglazed vessels are fired in a kiln, each are marked by wood, heat, melting ash and charcoal resulting in a somber patina of natural hues and irregular textures. The work is intended to be mysterious and enigmatic in ways that feel familiar.  “My work strikes a balance between the wild and mysterious character of ourselves and that part of our psyche that sets us apart from it, containing contradictory elements that provoke a sense of mystery and gravitas and suggest those aspects of our nature that is just on the other side of consciousness.”

Vessels, wood fired stoneware

Web site: www.samuel-johnson.com

Facebook: www.facebook.com/samueljohnsonpottery

Instagram:  @samueljohnsonpottery


Eleanor McGough

Eleanor McGough grew up in the Pacific Northwest and graduated from Kansas City Art Institute. She also studied at the Polytechnic in Brighton, England. She is the recipient of two Minnesota State Arts Board Grants and a Bemis Foundation residency. McGough’s paintings explore our fleeting place in the vast patterns of weather, migrations, and time. Imagined life forms inhabit terrestrial, aquatic, or atmospheric spaces, revealing fragile and tenuous relationships within these complex systems. She is influenced by the research of high altitude entomology that details the astonishing fact that billions of insects are carried in air currents through the layers of our atmosphere. This idea serves as a visual metaphor to the broader context that all life is transitory and swept up in immense patterns of energy.  “I am drawn to insects for their metamorphosis and find hope in the idea that transformation is an enduring possibility and cause for optimism as life on our planet evolves.”

Perilous Passage, acrylic on board

Web site: www.eleanormcgough.com

Instagram:  @eleanormcgough


Wendy Westlake

Wendy Westlake was born in Washington state. She earned an Associate Degree in Applied Art from Pima College in Tuscon AZ, where she studied a wide range of media including oils, printmaking and ceramics. Upon moving back to MN in 1992, Wendy connected with the watercolor community in the Twin Cities area. She became a Board Member of the Minnesota Watercolor Society in 2012 eventually becoming MNWS President from 2014-2016. A desire to work on a larger scale than paper would allow pulled Wendy back to her earlier training with acrylic and oils. Her work is influenced by her background in watercolor as well as the tradition of American Abstract Expressionism.  Wendy’s poignant graphical forms bring order within a place of chaos: shapes overlap and interconnect, with redacted and transparent elements changing our view. Her paintings expand on the idea that everything is connected and questions the way in which we read the truth. “I begin by flinging paint on canvas with great abandon and then search for order in the chaos, highlighting some shapes while losing others, defining and editing, pushing toward resolution.”

Set A Guard Over My Mouth, acrylic on canvas

Web site: www.wendywestlake.com

Facebook:  www.facebook.com/WendyWestlakeStudios

Instagram: @wendywestlakestudio